In the 1950s and 1960s Maurits Cornelis Escher created his impossible compilations as an invitation to imagine the possibility of impossibility. POLYHEADRA invites the participants to explore a collective creative compilations of the possible and the impossible as an art experiment.
All the ideas that come out of the many minds of the participants constantly reshape the composition of this collaborative or, in other words, open-source work of art. The tubes and the changing formations of POLYHEADRA strongly remind of many basic structures in nature, e.g. bred coral reefs, bacteria, fossil fungi Prototaxites or the amoeboid cercozoan organisms Phaeodarea. POLYHEADRA as an oversized construction kit of life could be used as its representation. However, it could also be seen as a demonstration of the place where the ideas are generated by the self-configuration of neurons.